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Shanken, Edward A.. Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception, and Power In ISEA´96 - Proceedings of International Society for Electronic Art, edited by Michael B. Roetto, 57-63. Rotterdam, NL: 1997.

Penny, Simon. The Virtualisation of Artistic Practice: Body Knowledge and the Engineering World View CAA Art Journal (Fall 1997).

Scholder, Amy and Jordan Crandall, ed. Interaction: Artistic Practice in the Network. New York: Distributed Art Publishers, 2001.

Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.

Huhtamo, Erkki. Illusion and its Reverse: About Artistic Explorations of Stereoscopic 3D In Expanded Narration: Das neue Erzählen: B3 Biennale des Bewegten Bildes, edited by Bernd Kracke and Marc Ries, 123-141. Frankfurt am Main: transcript, 2013.

Huhtamo, Erkki. Tactile Temptations: About Contemporary Art, Exhibitions and Tactility In Interface Cultures: Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignonneau and Dorothee King, 129-139. Bielefeld: transcript,

Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.

Kluszczyński, Ryszard W.. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration Leonardo 40, no. 5 (2007): 469-474.

Christa Sommerer, Laurent Mignonneau, Dorothée King, ed. Interface Cultures. Artistic Aspects of Interaction. Linz: Christa Sommerer, Laurent Mignonneau, Dorothée King, 2008.

NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).