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Three Questions: A Holy Trinity or Three Blind Mice
2017
Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.
PETRI[E]'S PANOPLY
2015
Anker, Suzanne. PETRI[E]'S PANOPLY Antennae: Naturally Hypernatural , no. 34 (2015): 5-16.
Naturally Hypernatural
2015
Anker, Suzanne. Naturally Hypernatural Antennae: Naturally Hypernatural , no. 33 (2015): 6-18.
mediumBerge – Das Mallory Projekt
2002
Sandner, Oscar, ed. mediumBerge – Das Mallory Projekt. Vienna: Triton, 2002.
Der blamierte Computer
1985
Geyrhofer, Friedrich. Der blamierte Computer Wiener (November 1985).
On the occasion of La Biennale di Venezia
1990
Gudrun, Bielz; Schnell, Ruth, ed. On the occasion of La Biennale di Venezia. Vienna: Aperto, 1990.
In/different Spaces. Vortrag, 1999 im Rahmen des Projektes Differenz am Institut für Kunstgeschichte der Universität Innsbruck gehalten.
1999
Schnell, Ruth. In/different Spaces. Vortrag, 1999 im Rahmen des Projektes Differenz am Institut für Kunstgeschichte der Universität Innsbruck gehalten. Publiziert in: Institut für Kunstgeschichte der Universität Innsbruck (Hg.): Differenz, Innsbruck...
The Media Pavillon. Art and Architecture in the Age of Cyberspace.
1995
Weibel, Peter. The Media Pavillon. Art and Architecture in the Age of Cyberspace. In Art and Architecture in the Age of Cyberspace., edited by Peter WeibelVienna: Biennale di Venezia, 1995.
Image as Place, The Phenomenal Screen inKit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977
2013
Paulsen, Kris. Image as Place, The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977 Leonardo Electronic Almanac 19, no. 2 (2013): 98-111.
The Future Is Present: Electronic Café and the Politics of Technological Fantasy
2019
Glahn, Philip and Cary Levine. The Future Is Present: Electronic Café and the Politics of Technological Fantasy http://artjournal.collegeart.org/?p=12492.
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