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Utopia or Oblivion: The prospects for humanity 1969

Fuller, R. Buckminster. Utopia or Oblivion: The prospects for humanity. Los Angeles: The Estate of Buckminster Fuller, 1969.
The Body of Light/Telo svetlobe. In: Space For New Dialog/Prostor za novi dijalog 2008

Nagy, Vasja. The Body of Light/Telo svetlobe. In: Space For New Dialog/Prostor za novi dijalog The Museum of Contemporary Art Vojvodina in Novi Sad, 20th September – 4th October 2008. Novi Sad: Museum of Contemporary Art Vojvodina (2008).
Wiener Aktionismus und Aktionstheater in München 2015 - 2015

2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
Die Magie der Kunst – Protagonisten der slowenischen Gegenwartskunst 1968 – 2013 2015

Event: Die Magie der Kunst – Protagonisten der slowenischen Gegenwartskunst 1968 – 2013Institution: Obergeschoss des KünstlerhausesComment:
La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013 2014

Event: La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013Institution: Villa ManinComment:
La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013 2014

Event: La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013Institution: Villa ManinComment:
Beauty and the Beast - The Conjugal Bed 1988

Multi-media found object and audio installation. The handsome young god Amor comes only at night under the cover of darkness to lie with his mortal wife, Psyche. To protect her from the wrath of his jealous mother Venus he has Psyche and her family
Corp, Prothèses et Bio-objets 2011 - 2011

Event: Corp, Prothèses et Bio-objetsInstitution: La GarageComment:
Ocular Revision & Latent Figure Protocol 2011

Event: Ocular Revision & Latent Figure ProtocolInstitution: Kapelica GalleryComment:
The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests 2010

Kera, Denisa. The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests cience Exhibitions: Curation & Design (2010): 196.

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