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entre-deux
2002
video
Performers tele-dialogue from two distinct places with a single spectator at a time, whose
sha
dows become the theater of the work. Each performance is unique and constitute
s a
singular experience for the visitor, who is no longer only a passive
Orpheus (Video for Ballet production)
2014
-
2014
How can we see that the lively dancer on
sta
ge is on her way to be resurrected from the death? Thermography was the ideal medium for the production of Orpheu
s a
nd Eurydike
PALE MALE: A Pilgrimage
2013
PALE MALE: A PilgrimageArtist: Roz DimonComment:
E
sca
lator
2018
video
"E
sca
lator" –light in
sta
llation for the LED facade of UNIQA headquarter in Vienna‘s city center. The light in
sta
llation wa
s a
widely visible landmark for the art series "The Future of Demonstration".
entre-deux
2002
video
Performers tele-dialogue from two distinct places with a single spectator at a time, whose
sha
dows become the theater of the work. Each performance is unique and constitute
s a
singular experience for the visitor, who is no longer only a passive
Mixed Media (1982 - 1984)
1982
-
1984
To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian
sta
tes, Kac
sta
rted to produce vi
sua
l texts,
sma
ll sculptures, graffiti, and other kinds of image
s a
nd objects. After the conclusion in 1982 of his
Numeric Milling
1968
Measurements 33 x 56 x 22 cm (13 x 22 x 8.5 in.) Csuri's wooden sculpture Numeric Milling is one of the few early computer sculptures created with a computer-driven milling machine. Artist's Comments This work made use of the Bessel function to
pa
ssa
ge
2007
video
Spectators enter an intimate
spa
ce to meet face-to-face with a performer offering her body a
s a
n interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple button
s a
nd
Liminal
Spa
ces
2015
video
... of word
s a
bout surveillance and the N.
S.A
. Here, the 360 º fulldome-
spa
ce brings together...
At Play
2016
video
Responsive audiovi
sua
l in
sta
llation where visitors playfully
sta
ck, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
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