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  • Jorn Ebner was born in Bremerhaven, Germany in 1966 and lives in Berlin, Germany. He attended Universität Hamburg, Germany (1990-95), Fondazione Antonio Ratti, Italy (1997) and Central St Martins College of Art, London (1995-98). He has exhibited in
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
  • Courchesne, Luc. The Construction of Experience. Turning Spectators into Visitors In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
  • Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
  • Alexander Hahn (b. 1954, Rapperswil, Switzerland) has worked in the analog and digital media arts since 1977, integrating the time-based forms of video with practices of installation, computer imagery, print, animation, virtual reality and writing.
  • Shaw, Jeffrey. Movies after Film - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 268-275. London, UK: ZKM Karlsruhe and BFI London, 2002.
  • Beloff, Zoe. An Ersatz of Life In New Screen Media: Cinema/Art/Narrative, edited by Rieser Martin and Andrea ZappLondon: BFI London and ZKM Karlsruhe, 2002.
  • Duguet, Anne-Marie. Déjouer L´image: Creations elecroniques et numériques. Paris: Jaqueline Chambon, 2002.
  • Perry Hoberman is an installation and media artist who works with a wide variety of materials and technologies, ranging from the utterly obsolete to the state-of-the-art, from low-tech to high-tech and nearly everything in between. His work has