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  • ... arts, and the Award for Positive Innovations in Media from the Digital Media and Arts Association. Her latest film Strange Culture (SFFS 2007) explores post-9/11 paranoia. She is professor Emeritus at the University of California, Davis.
  • ... arts, and the Award for Positive Innovations in Media from the Digital Media and Arts Association. Her latest film Strange Culture (SFFS 2007) explores post-9/11 paranoia. She is professor Emeritus at the University of California, Davis.
  • ...Kusahara, Machiko. Transition of Concept of Life an Art and Culture from Automata to Network In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 99-119. New York, Wien: Springer Verlag, 1998.
  • ... of what happens when incompatibility is brought to the fore rather than hidden away in the dark underbelly of digital culture?" The panel discussion: "Videomakers Unite!" was billed as "an open conversation about video art and net culture, media...
  • ...Sjoukje van der Meulen is an art historian, theorist and critic with a research focus on new media and digital culture. She received her PhD from the GSAPP at Columbia University (New York, 2009). She lived in the United States for 15 years (1997-2012) and worked as a...
  • ...MacMahan, Alison. Architecture of the Mind. The Work of Jeffrey Shaw Archis. Architecture-City-Visual Culture 6 (2000): 38-43.
  • ...Morse, Margaret. Art in Cyberspace: Interacting with Machines as Art at Siggraph´s "Machine Culture - The Virtual Frontier" Video Networks 17, no. 5 (Oct/Nov 1993).
  • ...Penny, Simon. Consumer Culture and the Technological Imperative: The Artist in Dataspace In Critical Issues in Electronic Media, edited by Simon PennyAlbany, NY: Suny Press, 1995.
  • ...Will future formats create a new literacy? McLuhan was sure that sooner or later mass society would see print and linear culture replaced by tactile and electronic culture. Somewhat along the same lines, Fleischmann & Strauss’s Semantic Map creates an unconventional...
  • ... gardens have been superimposed creating a tapestry-like effect. The resulting ambiguity forges questions concerning whether culture will overtake nature or visa-versa. This series of work was inspired by the writings of Margaret Atwood and Bruno Latour.