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  • La máquina y la carne. La realidad vs el arte róbotico
    Iglesias, Ricardo. La máquina y la carne. La realidad vs el arte róbotico. ISBN: 9788415415190 th ed.Madrid: Evohé: In "De Prometeo a Frankenstein. Autómatas, ciborgs y otras criaturas más que humanas" Various Authors, 2012.
  • Lillian F. Schwartz
    Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • Eletrourbs, Electrogravuras -
    In: De Humani Corporis Fabrica (Collective exhibition) MARGS. 2013. Installation.
  • From the digitization of culture to digital culture. De la digitalización de la cultura a la cultura digital
    Alsina, Pau. From the digitization of culture to digital culture. De la digitalización de la cultura a la cultura digital Digithum. Las humanidades en la era digital. , no. 12 (2010).
  • Ruth Schnell
    Ruth Schnell is an Austrian media artist, professor for media arts and curator. She has been working with computer-aided tools since the mid-1980s. Her artistic research focusses on examining the perception of images/sound/language in connection
  • Ashok Sukumaran
    Sukumaran’s recent work deals with the intersection of human habitat and “embedded” technology and the physical terrain of digital media. In adopting the view that many new-media technologies are not fundamentally new, his projects imagine a “what
  • Technological Humanism and Values-driven Design
    Laurel, Brenda. Technological Humanism and Values-driven Design In Women, Art, and Technology, edited by Judy MalloyLeonardo Series, Cambridge, MA: MIT Press, 2003.
  • Humanist der Telecommunication
    Perthold, Sabine. Humanist der Telecommunication Bühne (June 6th 1994).
  • Post-humanist Desire -
    Event: Post-humanist DesireInstitution: Moca TaipeiComment:
  • Featured Artist Uršula Berlot
    .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
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