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  • Hedinger, Johannes and Thorsten Meyer, ed. What's next? Kunst nach der Krise. Berlin: Kulturverlag Kadmos, 2013.
  • A beautifully crafted set of four tea towels sporting a series of authentic search engine results returned to a user when the criteria, 'Please Help Me', 'Is Anybody there?', 'Please listen to me' and, 'Can you hear me?' were entered into the search
  • Arcs21 -
    Continuing in the tradition of free online distribution of netart in the 90s, Arcs21 offers the user the possibilities of research, playing and co-creation: browserspace is translated into a realtime artwork which is freely available over the
  • MRI Butterfly -
    MRI Butterfly is an animation set to music employing the MRI digital prints. By animating the photographs, the moving image produces a dance of thought, similar to the way the brain receives data. In a hide-and-seek type of perception, the animated
  • O`Donoghue, Karl. Virtual Ecology: The Work of Char Davies In Thought Lines 3: An Anthology of Research, edited by Paul O´Brien, 284-294. Dublin: National College of Art and Design, 1999.
  • The Thoughtbody EnvironmentArtist: Bill SeamanComment:
  • An Ascent
    video, 7,08’ By mixing colourful abstract light patterns and fragments of figurative reality the video aims to visualize a kind of inner psychological landscape, where words, thoughts, memories, emotions and desires combine and coexist in a highly
  • Fleischmann, Monika and Wolfgang Strauss. Home of the Brain : A networked VR installation as virtual exhibition of philosophers' thoughts In Virtual Creativity, edited by Bruce E. DrushelISSN: 2397-9712, , 111-115. Bristol: Intellect, 2019.
  • Puff, Melanie. Agieren im Zwischenraum - Gedanken zu einer Ethik der hybriden Identität / Acting in the Interstices - Thoughts on an Ethic of Hybrid Identity In Ars Electronica 2005: Hybrid. Living in Paradox, edited by Gerfried Stocker and
  • Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.