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  • Alejandro Quiñones
    Born in 1996 in Bogotá, Colombia. Currently studying Interface cultures master at the University of Art and Design Linz, Austria. He holds a bachelor’s degree in fine arts at the National University in Bogotá, Colombia. His work includes interface
  • Cathartic User Interface (CUI) -
    Cathartic User Interface 1.0 and 2.0 (CUI) are interactive, multi-participant installations that allow users to quickly and effectively work through their conflicting emotions concerning the benevolent yet pernicious influences of computer
  • HINEIN (inwards) -
    HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
  • The Brain As A Reintrpretation Device
    Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
  • Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker -
    Event: Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker Institution: Netherlands Media Art Institute NIMKComment:
  • Excavated Sounds: Paul DeMarinis
    Event: Excavated Sounds: Paul DeMarinisInstitution: Otso GalleryComment:
  • Enactive soundscapes: towards a naturalized aesthetic
    OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.
  • Soundwaves -
    Event: SoundwavesInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Sweet´N`Sour
    Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).
  • Interactive Cyber Cravat
    An interactive graphic installation through which the user can create and produce, in real time, his own personalized cyber cravat. The installation can be connected to a network. (source: https://www.evl.uic.edu/franz/)
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