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Gravicells - Gravity and Resistance 2004

Yamaguchi Center for Arts and Media, ed. Gravicells - Gravity and Resistance. Yagamuchi, JP: Yagamuchi Center for Arts and Media, 2004.
Parables on the Morphogenic Substance 2004

Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga, ...
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? 2004

Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get
is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
About and Around the "Molecular Informatics - Morphogenic Substance via Eye Tracking" Continuum 2004

Mikami, Seiko. About and Around the "Molecular Informatics - Morphogenic Substance
via Eye Tracking" Continuum In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Diputación de MalagaMalaga: Centro de...
Die postmediale Kondition 2004

Weibel, Peter. Die postmediale Kondition In Die Medien der Kunst. Die Kunst der Medien, edited by Gerhard Johann Lischka and Peter Weibel, 207-214. Karlsruhe, DE: ZKM Karlsruhe, 2004.
La relation comme forme. L´interactivité en Art 2004

Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft 2004

Weibel, Peter. Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft In Iconic Turn. Die neue Macht der Bilder, edited by Christa Maar and Hubert Burda, 216-226. Köln, DE: DuMont Buchverlag, 2004.
Networked Narrative Environments as Imaginary Spaces of Being 2004

Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.
The Actual and the Imagined 2004

Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
Datenbank für Virtuelle Kunst 2004

Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.

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