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  • European Media Art Festival 2005: Document
    Under the motto "Document", the 18th EMAF highlighted various media artistic approaches to documentary forms. Playing with media structures, analysing the power of the media, reflecting one’s own media production and examining the conditions of
  • Kriegsspiel
    videogame based on Guy Debord's board game with the same title. in collaboration with the RSG.
  • Les débordements du numérique, Open Art et Fusion Critique
    Event: Les débordements du numérique, Open Art et Fusion CritiqueInstitution: Entretiens Jacques CartierComment:
  • L’Art immersif et ses débordements, rencontre avec Maurice Benayoun et ses invités
    Event: L’Art immersif et ses débordements, rencontre avec Maurice Benayoun et ses invitésInstitution: Le Cube, Issy les MoulineauxComment:
  • Making Waves
    Herrick, Debra. Making Waves https://www.news.ucsb.edu/2023/020861/making-waves.
  • Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland
    Debray, Regis. Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland. Rodenbach: Avinus Verlag, 1999.
  • transmedia '97 -
    The festival focused again on multimedia, innovative television and video. In 1997, the festival also integrated technological developments and philosophical discourses relevant to these media realms into the programme: brain research,
  • Ksenia Fedorova
    Ksenia Fedorova is a media art researcher and curator. She holds Ph.D in Philosophy/Aesthetics (St.Petersburg, Ekaterinburg, RU) and is a PhD candidate at the Cultural Studies Graduate Group, University of California Davis. Her research interests
  • Codes and algorithms.
    Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent
  • Specious Dialogue (I, II, III) -
    Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
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