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  • Violating Patterns -
    Print on aluminium composite panel The UV print on Alu-Dibond shows a series of ornamental settlements. 'Violating Patterns' adopts the representation of NATO wire models from the product catalog of a market-leading manufacturer. The work arose in
  • Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in
  • Barrie, Lita. Poetic Potential - Video Poetics at the Long Beach Museum of Art Artweek 21, no. 23 (June 1990).
  • Gamblin, Noriko and Carole Ann Klonarides, ed. Sugar´n Spice. Santa Monica: Long Beach Museum of Arts, 1993.
  • Floating Signs -
    Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
  • Leif Brush was an emeritus art professor at the Department of Art & Design, University of Minnesota, Duluth, Minnesota, born 28 March 1932, Bridgeport, Illinois, U.S.A. He received an MFA from the School of the Art Institute of Chicago:
  • Nancy Buchanan is a Los Angeles-based artist whose practice includes installation, drawing/mixed media, performance and video. Politically outspoken against nuclear war and American international policies, Buchanan began performing in the 70s during
  • Mark Napier realizes only works for the Internet. He has produced a wide range of Internet projects, including "The Shredder" (1998), an alternative browser that dematerializes the Web; "Digital Landfill" (1998), an endless archive of digital
  • Curtis, Cathy. Sugar ´n´Spice: Sensory Overload in Long Beach Los Angeles Times (April 1993): fl4.
  • Frank, Peter. Intriguing Works by New Generation of Women Artists Long Beach Press-Telegram (March 1993): 14.