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  • After Tomorrow -
    ... is a world where one part of the survived passed into a new form of life; the other part lost almost completely knowledge and technology. People who didn’t pass into the new state maintain the system of digital God-manhood taking care of bio-creatures. A part...
  • ... and digital musical instrument design. In 1985, while Iwai was still a student, his installation Time Stratum won the High Technology Art Exhibition Gold prize. He also won the grand prize at the 17th annual Modern Japanese Art Awards, becoming the...
  • ... lightly them. A plant concert is created. In their artwork, the artists Scenocosme create hybrids between plants and digital technology. Plants are natural sensors and are sensitive to various energy flows. Digital technologies permit them to establish a...
  • ... juried competition and is now in development. This AOF Nova facade utilizes, electronic art, new digital media, interactive technology, dynamic real time solutions, and networked space to create responsive architecture that reflects the emotional real time...
  • ... “Dance Machines” Lille3000 France. RIAUS, Royal Institute Adelaide, Australia. File Festival - São Paulo, Brazil. Amber Technology and Arts Festival Istanbul, Turkey. Incheon International Digital Arts festival, Korea. WRO Expanded City Media Art Biennale...
  • Substance -
    ... are organic and convey a sense of aliveness. It is an example of artificial life that encapsulates ideas of magic and technology, art and science, philosophy and cognition. (source: www.interaccess.org)
  • ... Brazilian performer and dancer. Swiss artist Christian Schoch will be showing a digital miniskirt – a hybrid of fashion and technology where digital images and texts are seen in motion. A model will parade wearing a digital miniskirt called PAUL, built up of...
  • ... telegraph, in particular those made by the Catalan scientist Francesc Salvá. It examines the metaphors encoded within technology, especially lost or orphaned technologies and tries to trace their origins, speculating on the way that mechanisms are the...
  • ... UK. From a background in working to develop artists’ access to production resources, I set up MITES (the UK arts exhibition technology resource) in Liverpool in 1992, an organisation that was key to supporting the growth of video and new media practice in the...
  • Heliotrope -
    ... is the central reference point, we rationalise our relationship to its fundamental power. We mediate the elemental through technology, yet can never fully resolve anything but our relationship to the technology itself. The element remains elusive, remains...