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Using Artificial Life to Create Parallel and Networked Processes through Natural Evolution
1994
Ray, T. S.. Using Artificial Life to Create Parallel and Networked Processes through Natural Evolution In NCJSAI´94 (Japanese Society of Artificial Intelligence), : 1994.
Gregoire Rousseau
Gregoire Rousseau is an artist and educator based in Helsinki. He is graduated both as an Electrical Engineer and Masterof Fine Arts in Uniarts, and currently, a doctoral candidate at Aalto University with the research "CommoningEducation,Educating
The Experience Society
1993
Krueger, Myron. The Experience Society Presence: Teleoperators and Virtual Environments 2, no. 2 (1993): 162-168.
Rethinking Virtual Reality: Key Concepts and Concerns
2003
Davies, Char. Rethinking Virtual Reality: Key Concepts and Concerns In Hybrid Reality: Art, Technology and the Human Factor, edited by Hal ThwaitesMontreal, Canada: International Society on Virtual Systems and Multimedia, 2003.
Art as an Alternative to Education, or, The Rise of the Jam Factory
1972
Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
Automation, Cybernetics and Society
1959
George, Frank Honywill. Automation, Cybernetics and Society. New York: L. Hill, 1959.
Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society
2004
Mason, Catherine. Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society Page 57 (Summer 2004).
From Landscape to Laboratory – Maisemasta Laboratorioon
2012
de Menezes, M. and Garca L.. From Landscape to Laboratory – Maisemasta Laboratorioon. Finland: The Finnish Bioart Society, 2012.
The Landscape of Being,
2012
Kisseleva Olga. The Landscape of Being,. Yorkshire, UK: Dr Graham Martin, AGENCY – Art, Life and Society, 2012.
Cyberformance and the Cyberstage
2011
Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).
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