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  • Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
  • Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
  • Lavoslava Benčić. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult '16 : III. International Music and Culture Studies Conference proceedings (May 2016): 64-68.
  • Marnix de Nijs is a Rotterdam based artist who explores the dynamic clash between bodies, machines and other media. His works include mainly interactively experienced machines that play with the perception and control of image and sound, but also,
  • Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Giuliano Lombardo teaches Teoria della Percezione e Psicologia della Forma at the Florence Academy of Fine Arts. As an artist he has exhibited in museums, festivals and galleries, published music and sound pieces, composed music for theatrical
  • Orlow's work tackles the impossibility of narrating or representing the past and addresses the spatial conditions of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and Switzerland, his work can often be seen to employ a
  • MIXING IT UP! -
    A symposium about responsive environments and new technologies being explored by contemporary sound and visual artists.
  • Event: Ars Electronica 1987: Free SoundInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Prix Ars Electronica -
    Honorary Mention in the category Digital Music and Sound Art