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Erlebnis-Raum in "Der Garten" und "Heufieber"
2012
Hinterwaldner, Inge. Erlebnis-Raum in "Der Garten" und "Heufieber" Soziale Systeme 18, no. 1/2 (2012): 323-345.
Erlebnis-Raum in "Der Garten" und "Heufieber"
2012
Hinterwaldner, Inge. Erlebnis-Raum in "Der Garten" und "Heufieber" Soziale Systeme 18, no. 1/2 (2012): 323-345.
Telepräsenz: Eduardo Kac und Ken Goldberg
2000
Dreher, Thomas. Telepräsenz: Eduardo Kac und Ken Goldberg IASL online Internationales Archiv für die Sozialgeschichte der deutschen Literatur (April 4th 2000).
Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit
2000
Weibel, Peter. Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit In Festschrift für die Wirklichkeit, edited by Guido Zurstiege, 193-196. Wiesbaden, DE: VS Verlag für Sozialwissenschaften, 2000.
Der Computer als Medium und als Maschine
1993
Esposito, Elena. Der Computer als Medium und als Maschine Zeitschrift für Soziologie 22, no. 5 (Oktober 1993): 338-354.
SP001
2002
http://www.leonelmoura.com/wp-content/uploads/2019/12/Swarm_Paintings.pdf
TRIAD HyperDance
1998
-
1999
TRIAD HyperDance is an interactive art work on the net, containing a dance work as hypervideo and an interactive choreography. The work can be seen at the url address http://triad.kiasma.fng.fi and at the http://ctheory.concordia.ca. The TRIAD
Last Entry: Bombay, 1st of July
1997
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1998
"Last Entry: Bombay, 1st of July" is a collaborative documentary about a person, identity and gender unknown - a flaneur in the cultural space of the internet. Inspired by the novel "Orlando", written by Virginia Woolf in 1928, that reads like a
Illusion und Virtualität: Kommunikative Veränderungen der Fiktion
1995
Esposito, Elena. Illusion und Virtualität: Kommunikative Veränderungen der Fiktion In Soziologie und künstliche Intelligenz: Produkte und Probleme einer Hochtechnologie, edited by Werner RammertFrankfurt/Main: Campus Verlag, 1995.
Zoran Poposki
My work is transdisciplinary and explores cultural translation, liminality, identity, and public space through a number of media, combining digital art including AI art and NFT art with video art, painting, drawing, photography, printmaking,
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