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  • The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
    Wertheim, Margaret. The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet. New York: W W Norton and Co, 1999.
  • Survey of Prints -
    In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William
  • Changing Space: Virtual Reality as an Arena of Embodied Being
    Davies, Char. Changing Space: Virtual Reality as an Arena of Embodied Being In Multimedia: From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 293-300. New York: W. W. Norton and Company, 2002.
  • Colliding Worlds: How Cutting-edge Science is Redefining Contemporary Art
    Miller, Arthur. Colliding Worlds: How Cutting-edge Science is Redefining Contemporary Art. New York City: W. W. Norton & Company; 1 edition (June 16, 2014), 2014.
  • Adventures in Phy-gital Space -
    Keynote lecture at the 11th International Conference on New Interfaces for Musical Expression. 30 May - 1 June 2011, Oslo, Norway.
  • Meta.Morf 2010 - video
    Interview with Roy Ascott. Meta.Morf 2010: New.Brave.World! Trondheim, Norway November 2010
  • Peter William Holden
    I grew up in a struggling northern industrial town during Britain's turbulent transition to a post-industrial economy. Amid the soot-blackened terraced houses, dilapidated mills, and rapidly vanishing chimney stacks, were the valleys and hills of
  • Lawrence Paul Yuxweluptun
    Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
  • Designing Embodied Interaction: Aesthetic, Technical and Theoretical Issues
    Over more than two decades, Simon Penny has pursued the simultaneous development of Interactive Artworks and the design and construction of technologies for Embodied Interaction, utilising Machine Vision and Robotics technologies. This has involved
  • GEMMA ARGUELLO MANRESA
    Lecturer at the Department of Philosophy at the Universidad Nacional Autónoma de México (UNAM). I am researcher for the National Research System (Level 1) in Mexico, and Chair of the Feminist Caucus and Social Media Editor for the American Society
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