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ISEA 1998 [The Ninth International Symposium on Electronic Arts]
1998
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1998
Developments in new technologies appear to be revolutionising every aspect of our daily lives. The metaphors of 'revolution' are often applied to the speed of exponential change that the world is experiencing, in part through developments in
Taken
2007
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2007
transmediale.07 with its theme "unfish!" analyses the artistic processes open for variation and reversion of choices once made. The festival has its focus on the point at which fixed things are put into motion again, and asks for the meaning of
ÄSTHETIK DER VERÄNDERUNG. 150 Jahre Universität für angewandte Kunst Wien
2017
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2017
[English title, "Aesthetics of Change- 150 Years of the University of Applied Arts Vienna"]
Featured Artist Marta de Menezes
02/2017
.. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..
Flip Your Wig (Perückt)
2003
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2003
video
Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
transmediale.07 unfinish!
2007
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2007
The 20th transmediale festival again explores how art and society are changing under the influence of media and technologies which become more and more dominant in our everyday lives. In contemporary art, digital media like video and electronic
Microwave International New Media Arts Festival 2003
2003
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2003
Microwave Media Art Festival 2003 - Hong Kong The "Microwave International Media Art Festival" is an international festival in HONG KONG, which aims to promote cultural exchange and appreciation of new media art. MIMFA - the annual video art
AUDIOVISUAL POEM
2014
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2021
AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual
Eternal Return N°1
2012
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2012
video
How can Nietzsche’s fear of the Eternal Return made comprehensible, even if it may fallen victim to wrong interpretation? Elke Reinhuber's approach to explicate this problem is a vinyl record of an endlessly reiterating sound, which emphasises the
Cadence
2022
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2023
Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
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