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  • ... ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of literature and culture. The passages are written with algorithmically generated glyphs clothing the alphabet with a unique set of linear forms....
  • ...Fleischmann, Monika and Wolfgang Strauss. Illusions of Reality and Virtuality In Techno-Culture Matrix, , 84-85. Tokyo, Japan: ICC - NTT Tokyo, 1994.
  • ... ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of literature and culture. The passages are written with algorithmically generated glyphs clothing the alphabet with a unique set of linear forms....
  • ...Mirzoeff, Nicholas. An Introduction to Visual Culture. New York: Routledge, 1999.
  • ... ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of literature and culture. The passages are written with algorithmically generated glyphs clothing the alphabet with a unique set of linear forms....
  • ...Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford, UK: Oxford University Press, 2001.
  • Bots -
    ... them. With ©Bots you can spread your own counter-memes into our collective mental space. ©Bots are built from familiar pop-culture components, so they can be readily absorbed into memory, yet they combine those elements into surprising and contradictory new...
  • ... virtual government agency. The US DAT functions as a conduit between the arts and the broader political and economic culture for facilitating the artist' need to extend aesthetic inquiry into the social sphere where ideas become real action. The...
  • ...Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
  • ...Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.