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Processes: The Artist and the Machine. The audiovisual as register and memory in Media Art
2014
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2014
On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals
Dvě ženy/Two women
2021
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2021
Vašulka Kitchen Brno exhibits two video works by audiovisual artist Matthew Ostrowski, in which a New York native deconstructs the film medium in a new artistic rendering, revealing the hidden meaning of the motifs, shots and messages of the
Israel Lopez
Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
Interfaces
1990
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1990
"Interfaces" was a live exchange conceived and organized by Eduardo Kac which took place on December 10, 1990, between a group of artists in Chicago and another group in the Center For Creative Inquiry, at the Carnegie-Mellon University, Pittsburgh.
Information Pavilion
1971
Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Information Pavilion was an air-supported hemisphere
Video Studio
1971
Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Video Studio was a PVC tensile skin stretched over
Ryszard W. Kluszczynski
Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
Forte Piano: le forme del suono
2012
Event: Forte Piano: le forme del suonoInstitution: Auditorium Parco della MusicaComment:
Gardens of the Anthropocene
2016
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2017
The augmented reality (AR) installation Gardens of the Anthropocene posits a science-fiction future in which native aquatic and terrestrial plants have mutated to cope with the increasing unpredictable and erratic climate swings. The plants in the
Infinity Divided by Sixteen
1987
video
In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to
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