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  • On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals
  • Dvě ženy/Two women -
    Vašulka Kitchen Brno exhibits two video works by audiovisual artist Matthew Ostrowski, in which a New York native deconstructs the film medium in a new artistic rendering, revealing the hidden meaning of the motifs, shots and messages of the
  • Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
  • Interfaces -
    "Interfaces" was a live exchange conceived and organized by Eduardo Kac which took place on December 10, 1990, between a group of artists in Chicago and another group in the Center For Creative Inquiry, at the Carnegie-Mellon University, Pittsburgh.
  • Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Information Pavilion was an air-supported hemisphere
  • Three inflatable pavilions, Information Pavilion, Video Studio and Auditorium, were commissioned and developed specially for the international outdoor art exhibition Sonsbeek Buiten de Perken. The Video Studio was a PVC tensile skin stretched over
  • Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • Event: Forte Piano: le forme del suonoInstitution: Auditorium Parco della MusicaComment:
  • The augmented reality (AR) installation Gardens of the Anthropocene posits a science-fiction future in which native aquatic and terrestrial plants have mutated to cope with the increasing unpredictable and erratic climate swings. The plants in the
  • In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to