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  • Gallinero - video
    Gallinero es una obra audiovisual en donde ocho huevos mantienen una conversación que nunca termina. La obra se presenta escenográficamente como un segmento de gallinero arrancado y traído al espacio expositivo en donde cobra vida. El motor de la
  • Metalogue -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Metalogue was titled after interdisciplinary
  • Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)
    Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
  • Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville)
    Santorineos Manthos. Τεχνητή Νοημοσύνη ή η Νέα Άλφαβιλ (artificial INTELLIGENCE or the New Alphaville). Vol.1. : Fournos Multivalent Communication Network, 2021.
  • Fournos Multivalent Communication Network , Hellenic Ministry of Culture
  • Sue Hawksley
    Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
  • The World Pretends to Be Burning
    Rochallyi, Radoslav. The World Pretends to Be Burning Mantis, Stanford Journal , no. 19 (2021): 128.
  • NMD New Media design
    Cecchi, Andrea. NMD New Media design. Mantova: Sometti, 2008.
  • Geometries of Power
    "Geometries of Power" is a multi-user online 3D world that uses the interactive characteristics of space, geometry and sound to question concepts of power and control. Beginning with the blank canvas of a faceless modern city, participants
  • Land of Cloud -
    Winner of the VRHAM 2018 Audience Award Three days journey beyond Space and Time lies the Land of Cloud. The people there are silent. They communicate not through speech, gesture or gaze, but instead through strange and wondrous "cloud mirrors."
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