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  • Computers and Creativity
    Zajac, Edward E.. Computers and Creativity In Architecture and the computer: Proceedings of the First Boston Architectural Center Conference, Boston, MA: 1964.
  • A Turning Point in Japanese Avant-garde Art: 1964 – 1970
    Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.
  • Peter Weibel: the open work 1964 - 1979 -
    Event: Peter Weibel: the open work 1964 - 1979Institution: Neue Galerie Graz (am Landesmuseum Joanneum)Comment:
  • The Ultimate Display
    Sutherland, Ivan E.. The Ultimate Display In Proceedings of International Federation of Information Processing, , 506-508. : 1965.
  • Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie
    Götz, Karl Otto. Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie SYN 2 (1965).
  • Myron Krueger
    Myron Krueger born in Gary, Indiana (USA); studied at Dartmouth College, New Hampshire from 1962-1964. From 1967 to 1974, he studied computer science at the University of Wisconsin. Krueger has been working together with artists since 1969. He has
  • Driessens & Verstappen
    The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
  • Computer-Produced Movies
    Knowlton, Kenneth C.. Computer-Produced Movies Science 150 (1965): 116 -120.
  • Cybernétique et Oeuvre d´Art
    Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.
  • Myriam Thyes
    Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale
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