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Virtuelle Kunst in Geschichte und Gegenwart
2001
Grau, Oliver. Virtuelle Kunst in Geschichte und Gegenwart. Berlin: Reimer Verlag, 2001.
Virtuelle Architektur und Imagination
1993
Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur und Imagination film+arc 1: Internationales Festival Film+Architektur, Graz (Oct 1993): 172-181.
Virtuelle Architektur + Imagination
1993
Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur + Imagination film+arc 1 1 (1993).
Virtuella Vatten-Varelser
1996
Ranlund, Sven. Virtuella Vatten-Varelser Goeteborg-Posten (November 15th 1996).
Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage produkcije novomedijskega projekta http://repozitorij.ung.si/IzpisGradiva.php?id=1842
2015
Lavoslava Benčić. Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage produkcije novomedijskega projekta http://repozitorij.ung.si/IzpisGradiva.php?id=1842 Master Thesis, Schol of Arts, Nova Gorica,...
Virtually Female: Body and Code
1997
Morse, Margaret. Virtually Female: Body and Code In Processed Lives: Gender and Technology in Everyday Life, edited by Jennifer Terry and Melodie CalvertNew York: Routledge Champman and Hall, 1997.
Virtualities: Television, Media Art and Cyberculture
1998
Morse, Margaret. Virtualities: Television, Media Art and Cyberculture. Bloomington, Indianapolis: Indiana University Press, 1998.
Virtualities and Realities - New Experiences, Art and Ecologics in Immersive Environments
2019
Smite, Rasa and Raitis Smits, ed. Virtualities and Realities - New Experiences, Art and Ecologics in Immersive Environments. Vol.17. ISBN 978-9934-8434-7-1, Acoustic Space th ed.Riga: RIXC Center for New Media Culture, 2019.
Virtualität und Interaktivität als Medium - Die Auflösung des Raumes
1996
Fleischmann, Monika. Virtualität und Interaktivität als Medium - Die Auflösung des Raumes Der GMD Spiegel 1 (1996): 42-44.
Virtuale Switzerland 2015
2015
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2015
Event: Virtuale Switzerland 2015Institution: DAW InternationalComment:
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