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  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Giuliano Lombardo
    Giuliano Lombardo teaches Teoria della Percezione e Psicologia della Forma at the Florence Academy of Fine Arts. As an artist he has exhibited in museums, festivals and galleries, published music and sound pieces, composed music for theatrical
  • Uriel Orlow
    ... of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and...
  • Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
    Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
  • The Human Body as an Audiovisual Instrument.
    Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
  • Bill Vorn
    ... He holds a Ph.D. degree in Communication Studies from UQAM (Montreal) for his thesis...
  • Marcelina Wellmer
    Marcelina Wellmer graduated from the Academy of Fine Arts in Poznan/Poland in 2000 with a degree in video and drawing. She is a conceptual artist and photographer based in Berlin. As a media artist, she has been working with video, photography,
  • Rewa Wright
    I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.).
    Lavoslava Benčić. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult '16 : III. International Music and Culture Studies Conference proceedings (May 2016): 64-68.
  • MIXING IT UP! -
    A symposium about responsive environments and new technologies being explored by contemporary sound and visual artists.
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