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  • VideoFest '96
    Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given
  • Artistic production and embodied information. Tracking Spaces of Transformation
    Alvaro, Sandra. Artistic production and embodied information. Tracking Spaces of Transformation In VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments, edited by Raitis Smits and Rasa Smite: RIXC, 2019.
  • GALLIA - video
    GALLIA (1987-88) is Stenger's first 3D movie, and already displays many of the distinctive features of her future productions: color, rhythm, recurrent sequences and vibrant soundtrack.
  • VideoFest '92
    Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer
  • VideoFest '94
    VideoFest in its seventh year, the year of that infamous „itch“ – which wasn’t the case luckily. The interconnections between video and television had become ever more important. The programme showed uncommon television productions and takes that,
  • Z-A Productions
  • multitrap productions
  • Mois Multi -
    Event: Mois MultiInstitution: Les Productions Recto-VersoComment:
  • Mois Multi -
    Event: Mois MultiInstitution: Les Productions Recto-VersoComment:
  • Mois Multi -
    Event: Mois MultiInstitution: Les Productions Recto-VersoComment:
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