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  • Uriel Orlow
    Orlow's work tackles the impossibility of narrating or representing the past and addresses the spatial conditions of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and Switzerland, his work can often be seen to employ a
  • Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound
    Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
  • Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
    Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
  • Bill Vorn
    Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on
  • Marcelina Wellmer
    Marcelina Wellmer graduated from the Academy of Fine Arts in Poznan/Poland in 2000 with a degree in video and drawing. She is a conceptual artist and photographer based in Berlin. As a media artist, she has been working with video, photography,
  • Rewa Wright
    I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • The Human Body as an Audiovisual Instrument.
    Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
  • Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.).
    Lavoslava Benčić. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult '16 : III. International Music and Culture Studies Conference proceedings (May 2016): 64-68.
  • MIXING IT UP! -
    A symposium about responsive environments and new technologies being explored by contemporary sound and visual artists.
  • Ars Electronica 1987: Free Sound -
    Event: Ars Electronica 1987: Free SoundInstitution: Ars Electronica Linz GmbH & Co KGComment:
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