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Voice of Sisyphus
2011
video
"Voice of Sisyphus" is a multimedia installation in which the image "At the Bar" is filtered by a computer program which then reads the segments and produces sounds out of them resulting in a continuously evolving composition. With George
Oco
1985
As the cylindrical form of the three letters spins in space, the letter I appears and disappears, producing the fleeting appearance of the words "o cio" (in heat) and "ócio" (idleness).
Pulse
1999
-
1999
Together the two projects, "p-Soup" and "Pulse", offer an experience of the special saturation and hue of monitor colours in varying combinations and continuous movement. The automation of image production is a fascinating dream born out of the
Oedipus the Code-Breaker
2011
-
2014
video
(co-production with Cactusbloem, Antwerp, and PVC Theatre, Novi Sad)
Klanica 5
2007
-
2010
video
(co-production with Amsterdam Cyber Theatre and Academica, Belgrade)
URnotHere
2012
-
2013
video
URnotHere is a machine to create cities that confronts the hyperlocative discourse of social media interfaces. It challenges us to create a new geography of nomadic territories on transitory maps. Moreover, the project aims to discuss the landscape
Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
Simultaneous Echos
2009
"Simultaneous Echos" is the most recent production of the series "Field-works," compositing video images and locational data captured by GPS, production was made in Londonderry, Northern Ireland, UK. The project is focused onto music production
Stephanie Owens
Owens is an interdisciplinary artist, writer, and curator interested in the influence of digital networks and communication systems on contemporary aesthetics and the production of subjectivity. She is Director of Cornell Council for the Arts and
SWAMP
SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
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