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Pandaemonium
1992
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1992
Digital video 4 mins 38 secs colour, stereo sound by Ernst Oosterveld Inspired by Milton's "Paradise Lost". The video explores images and evocations of how the human race has reshaped its environment, often to its and the world's detriment
spectra
2001
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2001
date | place MAY 4 - JUN 20, 2001 Mica Moca, Milan, IT concept, composition: Ryoji Ikeda commissioned by Mica Moca, 2001 spectra is a series of large scale installations employing intense white light as a sculptural material.
Rosenberg Variations - Mass Violin Suicide
1991
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1991
Digital video 2 mins 10 secs colour, stereo sound by Jon Rose A short work based on the ideas and suggestions of the violinist and composer Jon Rose. (source: http://www.littlepig.org.uk/)
38% und Simulationen (38% and simulations)
2000
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2000
video
Marcello Mercado 38% und Simulationen, 1999 Videoart, 4' 39", stereo 4:3 colour https://vimeo.com/59615939 Music by Marcello Mercado Edited by Marcello Mercado Animation by Marcello Mercado
Azimuth 77
2006
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2006
video
Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
RGB MOLECULAR
2020
Acryl and marker on paperSeries (12), dim: 66 x 90 cm (each) Drawings in colour that trace microscopic motifs of bodily particles shift conceptually away from the real motif towards the abstract one using form and colour on two levels: colour (the
Shift
2012
Using the New Age idea of a 'dimensional shift' as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and colour.
Colour
1998
Zelanski, Paul and Mary Pat Fisher. Colour. New York: Perason Education, 1998.
1985 Summer Show
1985
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1985
Micro Arts Group works by Geoff Davis shown on a continuous display. Works show were MA1 "Abstract Originals" (generative graphics with colour control) and MA4: Story Generator (text story generator based on short story Cow Boils Head)
Digital Wave
1998
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1998
How might we connect with ‘intangible’ digital technologies in ways we understand and can touch? Digital Wave is a large-scale interactive digital installation examining spatial movement and energy flow in a hands-on, interactive artwork measuring 3
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