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  • Challenges of Digital Art for our Societies -
    Event: Challenges of Digital Art for our SocietiesInstitution: MUMOK - Museum of Modern Art Ludwig FoundationComment:
  • VideoFest '89
    In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear
  • Media Art Histories and the Political Iconography of Information Societies -
    Event: Media Art Histories and the Political Iconography of Information SocietiesInstitution: Lasalle College of ArtsComment:
  • Gregoire Rousseau
    Gregoire Rousseau is an artist and educator based in Helsinki. He is graduated both as an Electrical Engineer and Masterof Fine Arts in Uniarts, and currently, a doctoral candidate at Aalto University with the research "CommoningEducation,Educating
  • Infinite Replay of One’s Own Self-Destruction - video
    Such is the very essence of this work, which utilizes these various strategies, layered upon each other to create a metaphor about grief and loss. For the stereo speakers can be about brothers, lovers, twins and the destruction of one's mate when it
  • Riebe Markus
    ... but as a method of approaching images and enabling new...
  • Connected Intelligence: The Arrival of the Web Society
    Rowlande, Wade, ed. Connected Intelligence: The Arrival of the Web Society. London: Kogan Page, 1998.
  • The Experience Society
    Krueger, Myron. The Experience Society Presence: Teleoperators and Virtual Environments 2, no. 2 (1993): 162-168.
  • Rethinking Virtual Reality: Key Concepts and Concerns
    Davies, Char. Rethinking Virtual Reality: Key Concepts and Concerns In Hybrid Reality: Art, Technology and the Human Factor, edited by Hal ThwaitesMontreal, Canada: International Society on Virtual Systems and Multimedia, 2003.
  • Art as an Alternative to Education, or, The Rise of the Jam Factory
    Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
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