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Cathartic User Interface (CUI)
1995
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2000
Cathartic User Interface 1.0 and 2.0 (CUI) are interactive, multi-participant installations that allow users to quickly and effectively work through their conflicting emotions concerning the benevolent yet pernicious influences of computer
Second Promenade
1998
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1999
Boissiers Installation "Second Promenade" is based on different meshed media: images, sounds, music, videos and a computerbased text. This hypertext is in a close relationship to the original of Rousseaus Second Promenade and can be read variably by
HINEIN (inwards)
2016
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2016
HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
The Brain As A Reintrpretation Device
2015
Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker
2007
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2007
Event: Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker Institution: Netherlands Media Art Institute NIMKComment:
Excavated Sounds: Paul DeMarinis
2000
Event: Excavated Sounds: Paul DeMarinisInstitution: Otso GalleryComment:
Enactive soundscapes: towards a naturalized aesthetic
2013
OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.
Soundwaves
2007
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2007
Event: SoundwavesInstitution: Ars Electronica Linz GmbH & Co KGComment:
Sweet´N`Sour
1993
Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).
James Stuart
Stuart Jones is a Boston-based composer of concert hall chamber music. His music has recently been performed by the LUMEN Contemporary Music Ensemble, the New York New Music Ensemble and the Omega Ensemble, among other contemporary music groups. His
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