Archive Search

  • ... the fish, unluckily. Unless it is merely a misinterpretation, the cat might not been fooled. He might be aware it is only a video and he is just having fun watching a DVD of the famous Nemo… or maybe is it Disney Channel… a brand new channel for robotic...
  • ... is really a conversation from several points of view: - conversation between the two computer projected parts of the split video screen (in this sense conversation between the two animation computers as well) - conversation between the two computer...
  • Body Language -
    ... of interactive sound installations Rokeby created. The installation used three hand-built low-resolution (8x8 pixels) video cameras (see image above) to observe a 5 metre by 5 metre space. The images from the cameras are digitized by a system that...
  • EAT -
    ... Also on the table, a large red button labelled EAT may be pressed. EAT consists of a formally arranged dining table, video projector, videodisc and player, Mac II computer, hardcopy menu and guest checks, and live performer. The table, props, menu,...
  • The Quarxs -
    ... has been devised. In order to visibly capture such phenomena, a visual medium has especially been adapted: a mixture of video, 2D, and 3D computer graphics. In parodying popular science programs, this series constitutes a new frontier in 3D computer...
  • ... objects. The piece remembers up to 600,000 objects which are displayed beside new ones that are added to the installation. Video courtesy of the artist and bitforms gallery nyc.
  • Shadow Dance: Eclipse -
    ... and explore eclipse information: science, mythologies, art, history, popular culture, and more through graphics, animations, video, pictures, environmental sounds and narrations. Shadow Dance, completed in July 2001, is in the permanent collection of the...
  • ... their bodies. As a shadow appears it tunes any radio frequency between 150kHz to 1.5GHz based on its position monitored by a video tracking system. The size of the shadow controls the volume gain of the specific audio channel. We can have 16 frequencies...
  • ...Morse, Margaret. Art in Cyberspace: Interacting with Machines as Art at Siggraph´s "Machine Culture - The Virtual Frontier" Video Networks 17, no. 5 (Oct/Nov 1993).
  • Document B -
    ... creating our own ideas and beliefs or do we match ourselves to a wider series of preconceptions? Using digital interactive video projection and live computing, DOCUMENT B examines these preconceptions through performance and workshops with performers in...