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Rigid Waves, Liquid Views
1994
Fleischmann, Monika and Wolfgang Strauss. Rigid Waves, Liquid Views In InterCommunication Catalogue, Interactive Art, edited by ICCTokyo, Japan: NTT Publishing Co., 1994.
The Shape of Cities in the Future: Liquid People
1995
Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. The Shape of Cities in the Future: Liquid People In InterCommunication Catalogue, e-Text, Tokyo, Japan: NTT Publishing Co., 1995.
Evolution and Complexity
1994
Ray, Tom. Evolution and Complexity In Complexity: Metaphors, Models, and Reality, edited by George A. Cowan and David Pines and David Metzger, 161-173. Boston, MA: Addison-Wesley Publishing Co, 1994.
Francesco Aprile
Francesco Aprile (Lecce, Italy) is freelance journalist, poet and visual-poet, essayist. In 2010 he became member of the literary movement called New Page-Narrativa in store, that has founded in 2009 by Francesco Saverio Dòdaro and for which he
The Computer in the Visual Arts
1998
Spalter, Anne Morgan. The Computer in the Visual Arts. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.
Cybergrace: The Search for God in the Digital World
1998
Cobb, Jennifer. Cybergrace: The Search for God in the Digital World. New York: Crown Publishing Group, 1998.
Intabyu
1997
Ascott, Roy. Intabyu In The Multimedia and Cultural Evolution, edited by M. Sekiguchi, 94-99. Tokyo, Japan: Nippon Telegraph and Telephone Publishing Co. Ltd., 1997.
Diana Domingues
Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
The Human Interface: Where People and Computers meet
1984
Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.
Peter d`Agostino
Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast
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