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Bricks
1995
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1995
Bricks is a Graspable User Interface which allows direct control of electronic or virtual objects through physical handles for control. These physical artifacts are essentially new input devices which can be tightly coupled or attached to virtual
Museum for Insects
2013
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2017
video
Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
Telepresent Animal Hall of Fame at the MUSEUM FOR INSECTS
2014
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2014
Event: Telepresent Animal Hall of Fame at the MUSEUM FOR INSECTSInstitution: Peabody Essex MuseumComment:
Visual Poetry
2006
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2006
Event: Visual PoetryInstitution: University of Essex GalleryComment:
Subverting Reality
2005
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2005
Event: Subverting RealityInstitution: University of Essex GalleryComment:
Transit
2002
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2002
Event: TransitInstitution: University of Essex GalleryComment:
Department of Art History and Theory, Colchester/Essex
Visions of Hildegard, C
2000
en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
Little Sister
2000
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2000
"Little Sister" combines the potential suspense of live web cam images with closed circuit television and global surveillance camera sequences, based on over twenty online links to webcams worldwide, observing private and public locations. They
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
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