Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
68
69
70
71
(current)
72
(more)
246
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Softwares sociais: o autor como produtor de ciberativismo cultural
2007
DOMINGUES, DIANA MARIA G. Softwares sociais: o autor como produtor de ciberativismo cultural 16º Encontro Anual da Associação Nacional dos Programas de Pós-Graduação em Comunicação (2007): 31-31.
VIDEOBRASILTrês décadas de vídeo, arte, encontros e transformações
2015
Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.
Michael Rodemer
Michael Rodemer's multifaceted education, acquired in the United States, Germany, and France, encompasses degrees in German, English, Comparative Literature, and Sculpture. This dual interest in the written word and in the "word-become-material" has
Virtual Hypertexts: "Lector in Fabula" inserted in GlobalizationHipertextos Virtuais: "Lector in Fabula" inserido na Globalização
2008
Moes, Fabiana. Virtual Hypertexts: "Lector in Fabula" inserted in Globalization Hipertextos Virtuais: "Lector in Fabula" inserido na Globalização Revista Encontro de Vistas (2008).
The Dump: Recycling of Thoughts
2010
-
2010
The Dump - recyclage d’idées est une sorte de laboratoires d’idées artistiques. Les artistes ont été encouragés à prolonger les concepts d’un autre artiste, à utiliser les concepts entreposés sur le blog de Maurice Benayoun. Au lieu de recettes
The pavillion of post-contempary curating: +MUPCA
2009
-
2009
Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
Architecture scénographies interactives
2000
-
2000
Dans les projets de conception d’exposition, je m’efforce de considérer la scénographie comme une composante significative du message véhiculé par le projet muséographique. Nous sommes en effet passés d’une époque où le muséographe avait
Carré blanc sur fond blanc
1990
-
1990
Deux pièces datant du début des années 1980, parmi les toutes premières œuvres de Maurice Benayoun, s’articulent autour de la thématique historique du Carré blanc fond blanc de Kazimir Malevitch. L’artiste n’a alors pas encore exploité le
Beautiful New Worlds.Virtual Realities in Contemporary Art
2017
-
2018
The introduction of virtual reality has led to a pictorial revolution that is radically changing not only our perception of images, but also our relationship with reality. Accessible illusionary worlds conjured up in virtual spheres provide visitors
A Body of Water
1999
-
1999
video
The powerful social aspect of Sermons work is visualized in the site-specific installation A Body of Water (1999), created for the exhibition Connected Cities, which has an atmosphere that borders on the eerie. In a chroma-key room set up in
1
…
(more)
68
69
70
71
(current)
72
(more)
246