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  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • A Turning Point in Japanese Avant-garde Art: 1964 – 1970
    Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.
  • Peter Weibel: the open work 1964 - 1979 -
    Event: Peter Weibel: the open work 1964 - 1979Institution: Neue Galerie Graz (am Landesmuseum Joanneum)Comment:
  • Brian Reffin Smith
    Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
  • Cybernetics and Art: Cultural Convergence in the 1960s
    Shanken, Edward A.. Cybernetics and Art: Cultural Convergence in the 1960s In From Energy to Information: Representation in Science, Technology, Art, and Literature, edited by Linda Dalrymple Henderson and Bruce Clarke, 255-277. Palo Alto, CA:
  • Record Again! 40 Jahre Videokunst.de. Teil 2 -
    The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
  • Immaterial / Re-material: A Brief History of Computing Art
    26. Oct. 2020 - 17. January 2021 UCCA Center for Contemporary Art, Beijing, China UCCA presents "Immaterial / Re-material", a group exhibition tracing the history, present, and future of computing art through more than 70 artworks by more than 30
  • An Uncommon Affair At Tooting Bec Common -
    An Interactive Art Installation / Immersive Cinema Experience An Uncommon Affair At Tooting Bec Common is an immersive cinematic work presented in the context of an interactive installation environment. The structure of the work is inspired by the
  • The Ultimate Display
    Sutherland, Ivan E.. The Ultimate Display In Proceedings of International Federation of Information Processing, , 506-508. : 1965.
  • Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie
    Götz, Karl Otto. Was ist am Bild messbar? Möglichkeiten und Grenzen der Informationstheorie SYN 2 (1965).
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