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ZKM Karlsruhe / YOUbiläumsbrowser
2007
video
The YOUbiläums Browser (kots.nu/mzedck). The history of the ZKM between 1997 and 2007 becomes a space pervading interface: by means of the Linear Navigator designed by Jeffrey Shaw in 1999, the visitors are able to call up video documentation on
ClearBoard
1990
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1995
ClearBoard is designed to integrate interpersonal space and shared workspace seamlessly. A design goal of ClearBoard is to allow a pair of users to shift easily between interpersonal space and shared workspace using familiar everyday cues such as
Telephony
2010
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2010
Telephony allows gallery visitors to dial into a wall based grid of 42 Siemens mobile telephones, which in turn begin to call each other and create a piece of 'music.' Each phone has been individually programmed with a different ringtone, which
Nemo Observatorium
2002
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2010
Styrofoam beads are blown around in a big transparent PVC cylinder by five strong fans. Visitors can take place on the armchair in the middle of the whirlpool or observe from the outside one at a time. On the chair, in the eye of the storm it is
ARt Critic Face Matrix
2010
video
In this geolocative augmented reality installation, a grid of ARt critics seem to scream "You call THIS ARt???" On October 9 2010, Sander Veenhof & Mark Skwarek organized "We AR in MoMA," an uninvited cyberspace takeover of the Museum of Modern Art
Solar
2009
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2009
As I mentioned in a previous entry, I am working on an application to be presented at the V&A Decode exhibition opening in December. I was asked to rework the Solar piece so that it could be audio responsive in real-time. During the development,
Cartes Postales de l'Arc
2011
The PERMANENT exhibition of the Arc de Triomphe conceived and directed by Maurice Benayoun and Christophe Girault, architect, is being dismantled to give place to a souvenir shop. To react to this obscene act of institutional vandalism, Maurice
E-Cloud
2007
A dynamic sculpture inspired by the volume and behavior of an idealized cloud. Made from polycarbonate tiles that can fade between transparent and opaque states, its patterns are transformed periodically by real time weather data from around the
Exploded Views 2.0
2013
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2013
Exploded_Views 2.0 by Marnix de Nijs is a masterpiece. No doubt about it. It is the most beautiful work of interactive media art I have ever seen. But its most peculiar aspect is that neither its beauty nor its meaning reside in the interactivity of
Matières sensibles (Sensitive matters)
2013
video
Matières sensibles (Sensitive matters) is a serie of sculptures made of very thin and delicate wood veneer sheets. Here the artists use ash wood. These sheets of wood have distinct sonorous touch zones that follow the natural veins of wood. The
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