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SoundCulture 96
1996
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1996
Event: SoundCulture 96Institution: San Francisco Art InstituteComment:
Cathartic User Interface (CUI)
1995
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2000
Cathartic User Interface 1.0 and 2.0 (CUI) are interactive, multi-participant installations that allow users to quickly and effectively work through their conflicting emotions concerning the benevolent yet pernicious influences of computer
Second Promenade
1998
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1999
Boissiers Installation "Second Promenade" is based on different meshed media: images, sounds, music, videos and a computerbased text. This hypertext is in a close relationship to the original of Rousseaus Second Promenade and can be read variably by
HINEIN (inwards)
2016
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2016
HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
The Brain As A Reintrpretation Device
2015
Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker
2007
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2007
Event: Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker Institution: Netherlands Media Art Institute NIMKComment:
Excavated Sounds: Paul DeMarinis
2000
Event: Excavated Sounds: Paul DeMarinisInstitution: Otso GalleryComment:
Enactive soundscapes: towards a naturalized aesthetic
2013
OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.
Soundwaves
2007
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2007
Event: SoundwavesInstitution: Ars Electronica Linz GmbH & Co KGComment:
Sweet´N`Sour
1993
Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).
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