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  • Imagining Macondo: Interacting with García Márquez’s Literary Landscape
    Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
  • Imagining Macondo: Interacting with García Márquez’s Literary Landscape
    Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
  • Imagining Macondo: Interacting with García Márquez’s Literary Landscape
    Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
  • Povero Fashion Party
    Fashion show
  • MACRO (Musea D`Arte Contemporanea Roma)
  • Featured Artist Uršula Berlot
    .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
  • Nebulae
    acryl, pastel and marker on paperdim: 68 x 88 cm (each), series (6) Reminiscent of clouds of interstellar dust and ionized gases, this series of drawings is technically based on abstract templates derived from microscopic recordings. Thus, the
  • Babel -
    Babel is a site specific work for a non-site. The context of the work is non-physical. The site is an abstract thing...information space and the taxonomy of knowledge that all libraries represent...which the Internet, where the project is realised,
  • Uršula Berlot
    Uršula Berlot, (b. Ljubljana, 1973) studied philosophy at the Faculty of Arts for two years, then painting at the Academy of Fine Arts, University of Ljubljana, and at the Ecole Nationale Supérieure des Beaux-Arts in Paris. She received her PhD in
  • s t i l l a l i v e video
    The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds
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