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  • 60 Tage Österreichisches Museum des 21. Jahrhunderts -
    Event: 60 Tage Österreichisches Museum des 21. JahrhundertsInstitution: Universität für Angewandte Kunst WienComment:
  • Illusion skapar vattenvarelser
    Sandberg, Peter. Illusion skapar vattenvarelser Tagens Nyheter (November 21st 1996).
  • Specious Dialogue (I, II, III) -
    Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
  • Wahrnehmung der Wirklichkeit, Wirklichkeit der Wahrnehmung -
    Nach drei Tagen der Probe wurde die halbstünige ‚Performance’ dem Publikum präsentiert. Als Performer wurden zwei Tänzerinnen, Maya Brosch und Martina Leeker, eingeladen sowie eine Expertengruppe die im anschliessenden Workshop dies für das Theater
  • »Heraustreten ins Tageslicht« -
    Event: »Heraustreten ins Tageslicht«Institution: Galerie HammerComment:
  • mediaBlocks -
    The mediaBlocks project is a tangible user interface based upon small, electronically tagged wooden blocks. The blocks serve as physical icons ("phicons") for the containment, transport, and manipulation of online media. mediaBlocks interface with
  • T_Visionarium - video
    T_Visionarium, by Neil Brown, Dennis Del Favero, Matt McGinity, Jeffrey Shaw, Peter Weibel, is an experimental new media work that offers the means to capture and re-present televisual information, allowing viewers to explore and actively edit a
  • Alexander Hahn
    Alexander Hahn (b. 1954, Rapperswil, Switzerland) has worked in the analog and digital media arts since 1977, integrating the time-based forms of video with practices of installation, computer imagery, print, animation, virtual reality and writing.
  • 15 Minutes of Biometric Fame -
    15 Minutes of Biometric Fame not only highlights paradoxes associated with celebrity recognition within the entertainment industry and instant fame received through various Web 2.0 applications, but it playfully discredits the reliability of
  • The Lake -
    A site-specific installation, and early data artwork using live real-time biological data. The Lake questions how data abstracts life and our environment, and how we use technology to connect with living things. Installed by the lakeside at Tingrith
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