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  • Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.
  • Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.
  • Media Forum 2006 -
    During preparation to this year MEDIA FORUM Alexey Isaev (1960-2006), our ideological leader and theoretician, died. This tragedy brought us to two immanent conclusions: • dedicate MEDIA FORUM 2006 to Alexey Isaev memory; • select as a theme for the
  • Robert Lazzarini is an American artist who lives and works in New York. Primarily a sculptor, Robert is best known for making common objects that have been subjected to compound distortions which have the effect of confusing visual and haptic
  • McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964.
  • Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
  • Ascott, Roy. Diagram Boxes and Analogue Structures. London: 1964.
  • .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
  • My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Baran, Paul. Introduction to Distributed Communications Networks In On Distributed Communications. Rand Corporation Memorandum, edited by Rand CorporationSanta Monica: RAND, 1964.