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Book of Shadows
1994
-
1994
CD-ROM with book version published by Ellipsis, London copyright 1994 exhibited at Portsmouth Arts Centre, Portsmouth, UK, 1998 Surfing, Contemporary Art Centre, Plymouth, UK 1997 European Media Art Festival, Osnabruck, Germany, 1997 On
Torso
1985
A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
Habeas Corpus
2006
... as if looking over a large crowd of people walking through an infinite dark space. Software development by Simon
Big
gs and Josh Nimoy. Project assistants, Michael Hohl and Sue Hawksley. Installation managed by ADi, London. Lighting: Visual...
reWrite
2007
The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
Continuum
2007
... as occurs when we sway our heads looking at actual three dimensional objects, revealing their various aspects. Source: Simon
Big
gs
Agent
2008
... space beyond the surface of the screen, recognisable but quite distinct to their own real appearance. Source: Simon
Big
gs
Blowup
2008
... Data can be distributed over networks for telematically connected installations and web based artworks. Source: Simon
Big
gs
reRead
2009
...reReadArtist: Simon
Big
gsComment:
Utter
2009
...a voice recognition and generative grammar interactive installation and performance artwork Source: Simon
Big
gs
Oracle
2009
...a voice recognition and interpretive grammar interactive performance artwork Source: Simon
Big
gs
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