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  • 2013 1st Shanghai Design Exhibition, (30th .Nobember 2013 til March 30th 2014) Shanghai Contemporary Art Museum, - Shanghai, China
  • It's hard to see a photograph physically fading, erasing itself with the bombardment of light but hold no doubts it is subtly becoming elusive like all we hold dear. I often find myself contemplating the fragility of the moment, and I believe this
  • 2016 ICC Building screen (20th May- 4th July) Open Sky Project Curator: Maurice Benayoun Jury Members: Caroline Ha Thuc, Christiane Paul, Doo Eun Choi, Ellen Pau, Jeffrey Shaw, Li Zhenhua, Maurice Benayoun, Nina Colosi, Susa Pop, Tanya Toft, Tony W
  • Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
  • Two Cycles -
    Two Cycles is a system for performances in the urban environment composed in principle by two bicycles in motion. Every bicycle has a small laptop computer; the laptops are interconnected via a mobile ad-hoc wireless network. Thanks to the network
  • 2013-14 The OCT LOFT Creative Festival, Shenzhen, China, Design Research Exhibition: "Fluid Archives - Data Come To Me". Dec 8, 2013 - Febr 8, 2014
  • Shanghai Art Museum. Another Voice - WE, catalog. Shanghai, China: Shanghai Art Museum, 2008.
  • Dr Sean Clark is an artist and curator, the Director of Leicester arts company Interact Digital Arts, the Founder of web/mobile developer Cuttlefish Multimedia, a Visiting Researcher at the Institute of Creative Technologies at De Montfort
  • Seiko Mikami passed away of cancer in January 2015. She was an interactive media artist that has been working in the realms of information systems and human sensing. Showing large-scale installations since the 80's she used sound, robotics and
  • Figment
    Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered