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  • Kac, Eduardo. Sur la notion d`art en tant que dialogue visuel In Art-Reseaux, edited by Karen O'Rourke, 20-23. Paris: Centres d`Etudes et de Recherches en Arts Plastique, Université de Paris I, Panthéon-Sorbonne, 1992.
  • Klotz, Heinrich, ed. Moving Image. Images en Moviment. Electronic Art. München: Oktagon Verlag, 1992.
  • Strauss, Wolfgang and Monika Fleischmann. Virtuelle Räume der Kommunikation In Multimediale Stadt. Entwicklungen, Trends, Visionen auf dem Weg ins nächste Jahrhundert. SFZ-WerkstattBericht 6, edited by Ingrid Stoppa-SehlbachGelsenkirchen, DE:
  • Lanier, Jaron. Virtual Reality: A Status Report In Cyberarts: Exploring Art and Technology, edited by Linda Jacobson, 272-279. San Francisco: Miller Freeman Inc., 1992.
  • Point of Departure -
    Point of Departure was commissioned for the Spanish Pavilion at the 1992 Seville World Expo in Spain, this work was part of a 60 minute multimedia performance titled “Memory Palace”. Vast familiar landscapes, simulated on the computer, span over
  • Fisher, Scott S. and John O. Merritt, ed. Stereoscopic Displays and Applications III. Proc. SPIE 1669, Cambridge: 1992.
  • Sims, Karl. Interactive Evolution of Dynamical Systems In Towards a Practice of Autonomous Systems: Proceedings of the First European Conference, , 171-178. Cambridge, MASS: The MIT Press, 1992.
  • Fleischmann, Monika and Wolfgang Strauss. Mente Global In Catalogue of Art Futura ´92, Barcelona, ESP: 1992.
  • Heeter, Carrie. Being There: The Subjective Experience of Presence Presence: Teleoperators and Virtual Environments (Fall 1992).
  • Reaney, Mark. The Theatre of Virtual Reality Theatre Design and Technology XXIX, no. 2 (Spring 1992): 29-32.