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  • Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale
  • McGarrigle, Conor. Art in the Data City In Digital Art in Ireland, edited by James O'Sullivan, 46-58. New York: Anthem Press, 2021.
  • Kac, Eduardo and Gérard Azoulay, ed. Inner Telescope. Paris: Observatoire de l'Espace, CNES, 2021.
  • Optical Diffraction -
    Video installation – diptych: Upper part: video projection: Bodyfraction 2020 (Uršula Berlot & Sunčana Kuljiš), Hyperoptics 2021 (Uršula Berlot); sound: Scanner – Robin Rimbaud Lower part: light image-object: laser-cut and digital print on
  • Dvě ženy/Two women -
    Vašulka Kitchen Brno exhibits two video works by audiovisual artist Matthew Ostrowski, in which a New York native deconstructs the film medium in a new artistic rendering, revealing the hidden meaning of the motifs, shots and messages of the
  • ... , no. 19 (2021): 128.
  • 26. Oct. 2020 - 17. January 2021 UCCA Center for Contemporary Art, Beijing, China UCCA presents "Immaterial / Re-material", a group exhibition tracing the history, present, and future of computing art through more than 70 artworks by more than 30
  • Acevedo is presenting an NFT tokenized image called Portrait: Masked, 2021
  • La experiencia que tenemos de las cosas (tangibles e intangibles) se compone de acciones simples enlazadas a símbolos que encontramos en el mundo. Imprimimos estas experiencias a distintas áreas de nuestro cerebro y luego, de alguna manera, perdemos
  • The Last Supper v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 Victor: Here is my favorite iteration of a piece that was