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  • ...Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
  • ... in the Centre Pompidou 20000 visitors came to view the installation and contributed over 3000 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized by an algorithm that positioned...
  • ... on the sensors determines their selection. This person then 'mated' with the last selected individual to create a digitally generated composite, a new 'being' who had never existed before. Death happened to the least often selected...
  • 125. Fragment -
    ...A series of portraits by Archimboldo (Seasons, Elements) are digitally interwoven to create a symultaneous montage of their pictorial elements. (A. Hegedüs)
  • ...Walser, Randal. The Emerging Technology of Cyberspace / Die heranwachsende Technologie des Cyberspace In Ars Electronica 1990 - Digitale Träume Virtuelle Welten, edited by Gottfried Hattinger and Morgan Russel Russel and Christine Schöpf and Peter WeibelVol.2. Linz:...
  • ...Schwingeler, Stephan. Kunstwerk Computerspiel – Digitale Spiele als künstlerisches Material. Eine bildwissenschaftliche und medientheoretische Analyse. Bielefeld: transcript, 2014.
  • ...Blome, Gabriele and Monika Fleischmann. netzkollektor und Mobile Unit – Zwei Module zum Aufbau eines Online-Archivs zur aktuellen digitalen Kultur im Rahmen von netzspannung.org. Konferenzband EVA 2002. BerlinElektronische Bildverabeitung & Kunst, Kultur, Historie. ...
  • ... / Abteilung für Fotografie, Matura 1998-2000 Design-Center Pöchlarn / Grafik-Design Diplom 2001-2007 Studium der Digitalen Kunst bei Prof. Peter Weibel, Prof. Tom Fürstner, Prof. Ruth / Schnell Universität für Angewandte Kunst, Wien 2006-2007...
  • The Distorted Barbie -
    ..."The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at Interport and in the...
  • ... appear multiple times, or disappear. They hand-selected video images with this in mind, then matched the frames together digitally, then printed in larger, more efficient batches. The result was not quite a gigapixel image but rather a 30,000 by 7,000...