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  • Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.
  • ...Moore, Stuart and Kayla Parker. Father-land Layers of Visibility (October 2018): 79 to 90.
  • Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January
  • Cadence -
    ... the film-makers through their project work with watery places, particularly river environments and coastal zones. Moore and Parker develop their response to the chosen environment through repeated visits to the location, becoming attuned to the place and...
  • Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
  • Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
  • ARTEC 89 -
    ... (USA), Ed Emshwiller (USA), Fabrizio Plessi (Italy), Liliane Lijn (UK), Margaret Benyon (UK), James Carpenter (USA), Bill Parker (USA), Yvaral (France), Paula Dawson (Australia), Philippe Prevot & L.I.M.C.A. (France), Jeffrey Shaw & Dirk Groeneveld...
  • Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
  • Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 n/a, no. n/a (April 2021): n/a.
  • Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 n/a, no. n/a (April 2021): n/a.