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  • Zareei, Mo. Audiovisual Materialism Organised Sound 25, no. 3 (November 2020): 362-371.
  • Explosions in the Sky -
    The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their
  • Radius
    Commissioned by Candy & Candy for Home House, London / UK ‘Radius’ is a sound-reactive media installation that plays with the light emitted by spatial arrays of light sources. Where a commonly flat arrangement of LEDs would be conceived as a
  • A mixed reality, telematic video installation, which was performed in Hong Kong and Canada, it reflects on the 10th anniversary of 9/11. Visuals, movement and sound are combined into hybridized data and sent over a high high speed telematic research
  • Performance, wall piece, 6 b&w inkjet prints, 27" LCD monitor, video loop, sound, dimensions variable. On life and mortality
  • IGUAQUE -
    1998 05:30 min, color, stereo sound. The Muisca legend tells us that Bachué (Mother of humanity) came from the water, from a lagoon called Iguaque and after giving birth to humanity, she returned there. ... The reverie produced by water and the
  • Marnix de Nijs is a Rotterdam based artist who explores the dynamic clash between bodies, machines and other media. His works include mainly interactively experienced machines that play with the perception and control of image and sound, but also,
  • Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
  • Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).