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Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].

Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.

Huhtamo, Erkki. Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 466-473. Cambridge, MA: MIT Press, 2003.

Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. Cambridge, MA: MIT Press, 2003.

Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.

Albrecht, Silke, ed. Games. Frankfurt/Main: Revolver, 2003.

Neidich, Warren and Norman Bryson. Blow-Up: Photography, Cinema and the Brain. Riverside, CA: Distributed Art Publishing/ University of California, 2003.

ALCALÁ MELLADO; José Ramón. Sistemas telemáticos compartidos: Arquitecturas virtualizadas para un nuevo modelo de creación y la exhibición del arte electrónico contemporáneo. Binaria. Universidad Europea de Madrid III (2003).

Baigorri, Laura. Recapitulando: modelos de artivismo (1994-2003) [].

Guasch, Anna María. La crítica de arte. Historia, teoría y praxis. Barcelona, Spain: Serbal, 2003.