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Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.

Weibel, Peter. The Intelligent Image: Neurocinema or Quantum Cinema? In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 594-601. Cambridge, MA: The MIT Press, 2003.

Zanini, Walter. A arte de comunicacão telemática: a interatividade no ciberespaco ARS (Departamento de Artes Plasticos) 1, no. 1 (2003).

Shanken, Edward A., ed. Telematic Embrace: Visionary Theories of Art , Technology, and Consciousness
by Roy Ascott. Berkeley, CA: University of California Press, 2003.

Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).

Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the
Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry...

Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.

Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.

Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional
Spaces Double Dialogues 4 (Winter 2003).