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From the Poesy of Programming to Research as Art 2003

Sommerer, Christa and Laurent Mignonneau and Christine Schöpf. From the Poesy of Programming to Research as Art In Ars Electronica 2003, CODE - The Language Of Our Times, edited by Gerfried StockerOstfildern/Ruit: Hante Cantz Verlag, 2003.
Modeling Complexity for Interactive Art Works on the Internet 2003

Sommerer, Christa and Laurent Mignonneau. Modeling Complexity for Interactive Art Works on the Internet In Art and Complexity: At the Interface, edited by John Casti and Anders Karlquist, 85-107. Amsterdam, NL: Elsevier, 2003.
A Sense of Weightlessness 2003

Zapp, Andrea. A Sense of Weightlessness In Urban Cycles, edited by Galina Dimitrova and Anneke Pettican and Steve Symons, 42-50. Manchester, UK: i3 Publications, 2003.
Das allusive Auge. Illusion, Anti-Illusion, Allusion 2003

Weibel, Peter. Das allusive Auge. Illusion, Anti-Illusion, Allusion In Fast Forward, edited by Ingvild Goetz, 10-12. Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Inhabited ConTime. Artists pages 2003

Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).
Antike Mysterien: Funktionen und Gehalt 2003

Burkert, Walter. Antike Mysterien: Funktionen und Gehalt. München: C.H. Beck, 2003.
Ars Electronica 2003: Code -The Language of our Time 2003

Stocker, Gerfried and Christine Schöpf, ed. Ars Electronica 2003: Code -The Language of our Time. Ostfildern-Ruit: Hatje Cantz, 2003.
M_ARS, Kunst und Krieg 2003

Weibel, Peter and Günther Holler-Schuster, ed. M_ARS, Kunst und Krieg. Ostfildern-Ruit: Hatje Cantz, 2003.
Artificial Plants 2003

Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
Coded Characters. Media Art by Jill Scott 2003

Hahne, Marille, ed. Coded Characters. Media Art by Jill Scott. Ostfildern-Ruit: Hatje Cantz, 2003.

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